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Literature Text
How long did you think
we could pound our vocabulary with hammers
before it fell flat?
we could pound our vocabulary with hammers
before it fell flat?
Literature
dichloromethane
a little sparrow is
caged in my notebook;
lined bars and lead chains to keep
him from flying away
into the sweet morning,
dipping in flight.
little sparrow is
a metronome drinking
bird, locked in
perpetual motion
Literature
Revenant
they came like phantoms;
oceanic whispers left me washed out.
those gossamer ghosts that lined
the doorways-- eyes in a constant
state of surprise as they reached for me:
needle fingers pricked, fueling
my addictions. they ached
for my veins, entangled like
the strings of my paper heart
and they stained my skin,
amethyst bruises in the shape
of recognition.
their breaths were the heavy hums
of a forgotten lullaby "one day you
will leave, and you will fade into a
virulent void, like us. you will warm
our icy bones, and we will love you,
like no one else can.
go back to sleep, little girl, we will
come again" with their cer
Literature
Of Bliss
Kissing daffodils sway,
serenaded by the waver of
gossamer wings;
faces blushing bright
as the sunlight
slips away.
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A poem about poetry inspired by a night of reading poems that sounded exactly the same.
You can find the DLD here: [link]
You can find the DLD here: [link]
© 2012 - 2024 MattVoscinar
Comments51
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Overall
Vision
Originality
Technique
Impact
I'm certain that just about everyone has had complaints about the originality of writing, as well as the death writing faces when it stops being genuine and is formulated purely to impress. These are not new ideas, but I find it fascinating when they are presented in this concise yet poetic format: your vision for this was absolutely astounding and the impact is breathless.
Where most of the issue lies with this poem is the technique; I love your word choice, and I like the idea of single image, but the cadence just feels off, and honestly, I am going to suggest the omission of "with hammers." Don't get me wrong, it's powerful, but the poem would be more powerful without it, because the pounding isn't something physical: it's ethereal and raw and that's what's so beautiful about it. While I do understand the use of metaphor, I don't think it was entirely successful here, and it certainly isn't necessary. If you take out hammers, it leaves the reader to fill in their own blank, and that makes it more personal, more profound than it already is.
Otherwise, I must say, I really enjoy this. Masterful and precise, it really left me thinking, and what more could you ask of a poem?